The Predatory Wasp
I wish that people would stop releasing really great albums this late in the year, as it’s making compiling my top 50 list an increasingly tough. The latest guilty party is Djrum, whose new LP Meaning’s Edge – his first full length since 2018 is amazing, with the eight minute Crawl coming in like a cross between Aphex Twin and Shed, but with a deftness of touch that makes the frenetic rhythms glide silkily by.
Becky and the Birds is the project of Swedish artist Thea Gustafsson. Her sound blends neo-soul, electronic, and R&B influences, drawing inspiration from artists such as Bon Iver and Frank Ocean and her new album Only music makes me cry now landed today. Opener Star hints at a slightly more abrasive, glitchier style than some of her previous releases which have leaned more into atmospheric dream pop, but her voice remains as beguiling and fragile as ever.
https://shop.4ad.com/release/472790-becky-and-the-birds-only-music-makes-me-cry-now
Skee Mask just released the latest album in a series that pulls together batches of previously unreleased tracks, these made between 2016 and 2022. As with its predecessors, D is more coherent and accomplished than 99% of electronic albums released this year; an impressive feat given that this is essentially a sweep of the cutting room floor.
College Music Presents: PhonoSynthesis is the label’s fourth VA compilation, and explores the intimate relationship between music and nature, spanning solo, acoustic sounds through to modular synthesis masterpieces, and everything in between. Includes contributions from Kaitlyn Aurelia Smith, Shopan and this beauty from Dylan Henner.
Well this is just totally lush. DANIAILYAS is a transatlantic collaboration between Barcelona’s Dania Shihab and Portland’s Ilyas Ahmed. On their debut EP, Enough For Me To Remain, Shihab’s ethereal vocals and sweeping synths are intricately intertwined with Ahmed’s fluid, unpredictable guitar work. The result is a deeply immersive, almost spectral experience, balancing tenderness with an underlying tension. What emerges is both intimate and disorienting, like a love letter written in shadow and light, offering release and rupture in equal measure.
https://daniailyas.bandcamp.com/album/enough-for-me-to-remain
The blog has gone pretty ambient-heavy this week, but the heart wants what it wants. Today’s offering is taken fromThrob, shiver, arrow of time, the new album from Oliver Coates who created the incredibly moving soundtracks for the 2022 film Aftersun (highly recommended) amongst many other things. 90 is glassy, sparse, delicate and beautiful.
Extraordinary stuff from Klara Lewis on the opening and title track of her new album for Editions Mego, starting life as simple, mournful strings before becoming increasingly deranged, distorted and overwhelming over the course of its 20 minute runtime.
Midland’s debut album Fragments Of Us examines the queer experience, from the early days of the 80’s AIDs crisis up to the present day, and features the voices of some Midland’s artistic heroes including Arthur Russell, Marlon Riggs, David Wojnarowicz alongside the contemporary voices of Stereogamus’ Jonny Seymour and Horse Meat Disco’s Luke Howard. The subject matter is often dark, and includes news snippets following the introduction of Section 28 in the UK – which prohibited the “promotion of homosexuality” in public life – to an excerpt from an audio diary of Wojnarowicz that concludes simply with “basically I don’t want to die”. But there’s hope and possibly catharsis in Midland’s production, which is warm and accessible without ever becoming bland or homogenised.
Loads of interesting albums out today – from Thee Sacred Souls, Dawn Richard, Alessandro Cortini and others – but this is the song that’s made me happiest this week, and even though it officially came out months ago the album it was released on landed last week, so it still counts as new music. Ok? Good. Efterklang was a new name to me and it was Mabe Fratti’s involvement that initially piqued my interest, but after multiple daily listens I think I can now call myself a fan.
Quasar 554 is the project of producer Paolo Alberto Lodde, also known as Dusty Kid: someone I was pretty obsessed with close to two decades ago, especially his track Luna, which I think opened a mix or compilation I used to hammer and still holds up as an absolute banger. Anyway! As Quasar 554 he was invited by the One Instrument label to create an EP exclusively using the Roland Jupiter-6. Often overshadowed by its pricier predecessor, the Jupiter-8, and sometimes criticised for its cold and thin sound, Lodde has eked out some genuinely emotional moments from the Jupiter-6, the results of which are worth checking out even if you’re not a massive synth nerd.
The Predatory Wasp 