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One Track Mind: Charbel Haber

The Lebanese artist on the haunting quality of a Fennesz classic

The premise of One Track Mind is pretty simple: I ask artists to pick one track that means a lot to them – either something they’ve discovered recently, something that’s been with them for years, or one that reminds them of a specific time in their life or career – and tell me what makes it so special to them. I get to talk to the artists I love, and they get to talk about the artists they love. Love all round!

Lebanese musician, performer, visual artist and composer Charbel Haber has spent more than two decades at the forefront of Beirut’s experimental music community. Whether composing for multidisciplinary projects or developing his own solo material, Haber has built a reputation for creating immersive, emotionally resonant works.

His latest album, May a soft sun bless your sky while you wait for the inevitable, was written following his move from Beirut to Paris and reflects on themes of distance, exile, mortality and the search for tenderness amid uncertainty. Recorded in Paris and completed through collaborations spanning Beirut and Montreal, the album unfolds through slowly evolving compositions built from layered guitars, loops and electronic textures.

For his One Track Mind, Haber has chosen a haunting track from Fennesz’s 2004 album Venice.

Charbel Haber on Fennesz – Transit feat. David Sylvian

The track I pick would be Transit from Christian Fennesz’ record Venice, with David Sylvian singing. That track haunts me since I discovered it more than 20 years ago. It’s a traveller’s song.

The loneliness of Europe’s airports when I’m on tour, the acceptance of the idea that we die alone and the cigarette that is kept for last. The melancholy reflected by sylvian’s voice and fennesz’s glitches, the last human talking to the last machine, in conversation about the end of mankind caused by alienation and digital isolation. The fall of empires but not in a blaze, just out of boredom and detachment from each other. It reminds me a lot of Paul Auster’s novel In The Country of Last Things.

This track is best when walking in the quiet Venetian streets, away from the tourists, feeling like the last of your kind, on your last stroll through the ruins of civilization.

Chabel Haber – May a soft sun bless your sky while you wait for the inevitable is out now

https://charbelhaber.bandcamp.com/album/may-a-soft-sun-bless-your-sky-while-you-wait-for-the-inevitable

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Music

STS – Places

The entire Be The Mountain EP from STS is absolutely brilliant, especially the title track which strongly evokes the beatless techno excursions of Barker, and this closing track, which is one of the most beautiful electronic pieces I’ve heard this year. The Detroit-based producer wrote the EP “during a period of sustained physical and mental strain” and while that sounds deeply unpleasant, the results are extraordinary.

https://sts-sts-sts.bandcamp.com/album/be-the-mountain

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Music

Teatre – Returning

It’s a sunny Friday, and after possibly the most intensely stressful ticket buying experience of my life yesterday (for which I hold more contempt for Ticketmaster than is healthy), I needed something soothing to guide me into the weekend. Described as “A poetic, dream-like story born from a period of creative stillness”, Lithuanian ambientist Teatre’s new album All Constellations Weaving Into One fits the bill perfectly.

https://amuletoftears.bandcamp.com/album/all-constellations-weaving-into-one

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Music

Ana Roxanne – Untitled II

😢

https://anaroxanne.bandcamp.com/

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Uncategorized

Appleblim – Globule

Occasionally ambient can suffer from a distinct lack of low-end, making it feel almost entirely weightless. Often that’s the point: who doesn’t like drifting away from the world to a higher plane from time to time. Appleblim’s new album for quiet details, Liminal Tides, for all its soft synth washes and ephemeral moments, is anchored by the kind of heft you’d expect from one of bass music’s most celebrated artists, and is all the more impactful as a result.

https://quietdetails.bandcamp.com/album/liminal-tides

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Interviews Music Uncategorized

One Track Mind: anthéne

The ambient artist on the arresting simplicity of a song by Myriam Gendron

The premise of One Track Mind is pretty simple: I ask artists to pick one track that means a lot to them – either something they’ve discovered recently, something that’s been with them for years, or one that reminds them of a specific time in their life or career – and tell me what makes it so special to them. I get to talk to the artists I love, and they get to talk about the artists they love. Love all round!

Brad Deschamps, recording as anthéne, is a Canadian ambient composer whose work leans into stillness, tone and emotional weight. His music draws on soft drones, field recordings and minimal melodic fragments to build pieces that feel immersive without becoming overworked, with releases across labels such as Home Normal, Whitelabrecs and Past Inside the Present.

His latest release is a collaborative album with Alessio Bertuzzi aka Far Away Nebraska, great plains, which leans heavily into the ‘country ambient’ aesthetic, and has been a daily source of morning calm for me over the past several weeks.

For his One Track Mind, Brad has picked out a deeply meditative song from a celebrated Canadian musician and songwriter.

anthéne on Myriam Gendron – Solace

“Though I’m constantly seeking out and listening to new music, when I think of the last decade or so there are a few artists that really stick out as being extremely important to me. Myriam Gendron is one of them. Her discography is all so amazing, but this song “Solace” from Not So Deep As a Well is one that I return to very often. The guitar playing bares a passing similarity to another song I almost chose for this, “Sleepwalker” by Julie Byrne, (another one of those artists whose work I’ve spent a lot of time with in the last 10 years or so).

“The combination of her beautiful guitar playing and the words of Dorothy Parker is really arresting, and it’s also just a very novel idea to set Dorothy’s poetry to music. To me the song/poem seems to be about grief, letting yourself feel sadness and not trying to hastily move on:

There was a rose that faded young;
I saw its shattered beauty hung
Upon a broken stem.
I heard them say, “What need to care
With roses budding everywhere?”
I did not answer them
.

There was a bird, brought down to die;
They said, “A hundred fill the sky-
What reason to be sad?”
There was a girl, whose lover fled;
I did not wait, the while they said,
“There’s many another lad.”

“Having seen her perform live a few times, her music on record and in person feels very warm and inviting despite being so minimal and somewhat somber, and I take great comfort in it. Perhaps most inspiring is this song is from Myriam’s first album, recorded alone in her apartment with no prior knowledge of sound engineering, and to have composed and recorded something this beautiful is really something.”

anthéne & Far Away Nebraska – great plains is out now on Home Normal

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Music

More Eaze – distance

more eaze is the moniker of Brooklyn-based composer, orchestrator, and multi-instrumentalist, mari rubio, and her new album sentence structure in the country is a collection of compositions across ambient and experimental pop, each beautifully realised, self-contained worlds, with influences stretching from country to jazz. The album’s compositions evolved over a number of years, with each updated version informed by both the context of rubio’s performances and the musicians she chose to create them with.

https://moreeaze.bandcamp.com/album/sentence-structure-in-the-country

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Music

OHYUNG – Nevada

Bruce Springsteen had his Nebraska, a bare-bones, notably bleaker record. OHYUNG now has her IOWA; stripped-down and self-produced. Ghostly echoes, mouth sounds, simulated tape hiss, late night gloom. Though beautiful, there’s an illness-of-ease to the music, a fog of threat, numerous points of rupture in otherwise serene tracks, massive subwoofer activations that could be heaven’s kick drum or the slam of a bomb. Sampled choirs in rapture, a fine line between terror and reverence. Happy Friday!

https://ohyung.bandcamp.com/album/iowa

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Music

Isabel Pine – Sun Dog

Loads of interesting stuff out today including albums from Choker, Altin Gun and perennial TPW favourite 36, but I’m choosing to highlight Isabel Pine’s new album Fables as it’s been the perfect, chill start to the day I needed.

https://isabelpine.bandcamp.com/album/fables

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Music

Pefkin – Green Bound In Ice and Snow

The opening track on Pefkin’s new album Unfurling is a stunning, 11-minute blend of haunting folk and icy ambient, inspired by the artist’s dreams of the coming spring. Nature has always been a central part in Pefkin’s music, and on Unfurling she captures all the elements as the record follows the transformations of the land from winter into spring – air, light, temperature, soil.

https://pefkin.bandcamp.com/album/unfurling