Tag: low

Music

Low – The Innocents

Post author By The Predatory Wasp
Post date November 7, 2022

I was a latecomer to Low: I only really started paying attention around the release of Double Negative, but I would now consider myself a huge fan, not just of their music, but of Alan and Mimi themselves. From afar they seemed like decent, loving, compassionate people, and from what I’ve read from those who knew them well, this was all true. Their music is extraordinary, like nothing else out there, and I was so sad to learn of Mimi’s death yesterday.

This is one of my favourite songs of theirs, and exemplifies everything I love about Low. Crunchy, bleak and foreboding but also – possibly – quietly hopeful, and one on which Mimi’s vocal takes centre stage and is pushed to its emotional limits. Together, they have delivered some utterly timeless, genuinely phenomenal music that will never be forgotten, and she will be greatly missed by many.

Tags band, death, low, mimi parker, the innocents

Music

Low – Hey

Post author By The Predatory Wasp
Post date September 10, 2021

As someone who loved Low’s last album but is only vaguely familiar with their extensive back catalogue, I’ve spent the week trying to play catch up as much as possible in anticipation of their new LP HEY WHAT which arrived today in all its melancholy, distorted glory. It’s been quite a week, and while I wouldn’t necessarily recommend piling through that much Low at once (the darkness! the depths!), it’s been interesting to trace the developments of their 20+ year career in just a few sittings. As a fairly new fan, I certainly don’t have any authority in ranking these things, but also: HEY WHAT is categorically their best album, and Hey is its emotional zenith.

https://www.chairkickers.com

Tags experimental, hey what, indie, low

Music

Low – Days Like These

Post author By The Predatory Wasp
Post date June 30, 2021

AUSTIN, TX - MARCH 13: Vocalist and drummer Mimi Parker (L) and vocalist and guitarist Alan Sparhawk of Low perform live on the altar of St David's Historic Sanctuary during the SXSW Music festival on March 13, 2018 in Austin, Texas. (Photo by Jim Bennett/WireImage)

I’ve listened to Days Like These maybe a dozen times now, and I’m still not even sure if I like the first half of it. Alan Sparhawk’s vocal is more prominent than perhaps ever before, accompanied by Mimi Parker’s harmonies and very little else and it’s almost wilfully OTT and (whisper it) a bit cheesy? Maybe that’s the point, and there’s a good chance that later this year after sitting with it for longer and reading more into the meaning behind it I’ll realise just how wrong I am, but that’s where I am right now. What isn’t in doubt however, is the second half, which is one of the best things they’ve ever made.

Produced again by BJ Burton who worked with them on 2018’s incredible Double Negative, it descends into warped static, freewheeling, ethereal harmonies and an atmosphere so thick with longing it takes a good few minutes to pull yourself out of it. It’s also the lead single from their forthcoming new LP Hey What, out 10 September on Sub Pop. Bring on the heartache.