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Interviews Music

One Track Mind: Tomu DJ

The California producer on the enduring appeal of some soft rock icons

The premise of One Track Mind is pretty simple: I ask artists to pick one track that means a lot to them – either something they’ve discovered recently, something that’s been with them for years, or one that reminds them of a specific time in their life or career – and tell me what makes it so special to them. I get to talk to the artists I love, and they get to talk about the artists they love. Love all round!

Tomu DJ is an American producer and DJ best known for her self-released albums on Bandcamp. She imbues her music with a gentle yet driving emotional force, creating intricate but comforting melodies across her discography. Tomu draws inspiration from her inner self—her memories and her past—and seamlessly infuses these reflections into her music. She released her latest LP Half Moon Bay earlier this year, which is yet another plaintive, thoughtful collection of tracks that straddle house, breaks, ambient and electronica with impressive assuredness.

For her One Track Mind selection, Tomu DJ has picked a track from one of the most iconic rock outfits of all-time, the mesmeric Steely Dan.

Categories
Interviews Music

Interview: Harkin

“The desktop of my mind has been cleared. Now it’s time to clutter it up again.”

A founding member of the band Sky Larkin, Katie Harkin has just released her debut self-titled solo album. In the intervening years she’s toured and recorded with some of the most successful and acclaimed indie rock acts in the business, including Kurt Vile, Courtney Barnett, Waxahatchee and Wild Beasts, so it’s perhaps unsurprising that Harkin is an absolute gem of an album: urgent, expressive, affecting.

I’m incredibly grateful to Katie for taking the time to answer some questions for The Predatory Wasp… and if you haven’t yet listened to the album, I highly recommend you do so.

Congratulations on the release of your debut album – it’s brilliant. When did you start recording it, and was the process generally positive, stressful, invigorating, a combination of all of these… or something else entirely?

Well thanks! I felt a huge amount of growth through the process. I recorded it without a label (we founded our own to release it- Hand Mirror), and though organising everything and clinging onto hard drives as I moved between studios in different time zones was stressful, it was thrilling to do it all on my own terms.