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Features Interviews

One Track Mind: memotone

Will Yates on how a Leaf sampler CD contained a track that continues to inspire him to this day

The premise of One Track Mind is pretty simple: I ask artists to pick one track that means a lot to them – either something they’ve discovered recently, something that’s been with them for years, or one that reminds them of a specific time in their life or career – and tell me what makes it so special to them. I get to talk to the artists I love, and they get to talk about the artists they love. Love all round!

memotone is the alias of Newport-based multi-instrumentalist, producer and composer Will Yates. Working across ambient, contemporary classical, jazz and experimental music, his intuitive, improvisation-led approach has earned releases on labels including World of Echo, The Trilogy Tapes, Sähkö Recordings, Accidental Meetings, Patience/Impatience and Black Acre. His music combines delicate melody with rich textural detail, constantly pushing into new sonic territory.

His new album, Warm Shadows, marks a return to Accidental Meetings and finds Memotone expanding his palette once again. Blending ambient composition, free-form improvisation and subtle sound design, the record features collaborations with Lithuanian artist Ugnė Uma, Jabu’s guest and percussionist Typesun, creating a warm, immersive collection that balances intimacy with widescreen experimentation.

For his One Track Mind, Yates has dug out some buried treasure from an obscure label sampler CD.

Memotone on Asa-Chang & Junray – Hana

This track was featured on a 17 track label sampler CD from Leaf back in 2002. The whole CD, which was called ‘Lost for Words’ is responsible for a big shift in my music appreciation and understanding back then. My dad got a copy of the CD about 2005 (I’d have been fifteen at the time), and I circulated it around my friend group. It’s gone on to become a legendary artifact between a few of us, and the track ‘Hana’, especially, is something very special.

Asa-Chang is a Japanese percussionist and original bandmaster of the Tokyo Ska Paradise Orchestra, he then formed Asa-Chang and Junray in 1998, as a duo with Hidehiko Urayama. The track comes from their ‘Jun Ray Song Chan’ LP, issued in the UK by Leaf on their Japanese imports imprint ‘Bay’ (controversy remains about this situation and if Leaf ever paid any of the Japanses artists they released, including Susumu Yokota). I bought a second-hand vinyl of the record years later, and I still play it regularly.

You can also hear how the track lives on in modern examples (not just my own! Haha.) There is a track from a French group called ‘Troubadours’ called ‘Realistic Avatar’ – released in 2025 on Few Crackles – which is like a modern equivalent. I don’t actually know if Troubadours have ever heard ‘Hana’, but the likeness is undeniable. And my track ‘Fever of the World’ is a bit of a homage to the FEEL of ‘Hana’, even if it doesn’t sound much alike. Anyway, give it a listen.

memotone – Warm Shadows is out now

https://memotone.bandcamp.com/album/warm-shadows

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Tasha – Clarion

Chicago songwriter Tasha returns with her fourth album You Are Spring! which lands today and follows 2024’s All This and So Much More. The new LP continues her move towards a broader, more expansive sound while retaining the intimacy that has long defined her songwriting. Among the highlights is Clarion, a gently drifting folk-pop track inspired by repeated journeys between Chicago and New York and named after a small Pennsylvania town passed along the way. Like much of the album, it explores ideas of movement, change and finding a sense of home in unfamiliar places.

https://tashamusic.bandcamp.com/album/you-are-spring

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Music

Laura Misch – Breathing

Laura Misch’s lates LP Lithic follows Sample The Sky and Sample The Earth, completing a loose trilogy of records shaped by landscape, natural processes and the relationship between sound and place, with this latest album taking its cues from caves, stone, weather systems and the vast stretches of time that leave their mark on both. Recorded across quarries, cliffs and caves in Cornwall, as well as locations in Greece, Berlin and South London, Lithic feels denser and more subterranean than its predecessors, with saxophone, voice, field recordings and electronics combing to impressively atmospheric effect.

https://lauramisch.bandcamp.com/album/lithic

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Music

Les Imprimés – Get Lost

Les Imprimés is the project of Norwegian songwriter and producer Morten Martens, whose second album Fading Forward is out now on Big Crown Records following the excellent Rêverie from a couple of years ago. Drawing on soul, doo-wop and alternative pop without sounding especially concerned about genre boundaries, Martens fills these songs with reflections on love, loss, memory and the passing of time, all delivered with a warmth that feels unforced and personal.

https://lesimprimes.bandcamp.com/album/fading-forward

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Music

Forest Drive West – Tensor

Forest Drive West’s new album Mantis 1920 sits somewhere between Donato Dozzy and Andy Stott, so you know I’m loving it! Right lads? Lads!??

https://forestdrivewest.bandcamp.com/album/mantis-1920

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Music

Kelsey Lu – Reaper

This is the opening track from Kelsey Lu’s new album So Help Me God and it’s astonishingly good: a sweeping, theatrical 8 minute epic that incorporates elements of drone, experimental pop, jazz and r&b to jaw-dropping effect.

https://kelseylu.bandcamp.com/album/so-help-me-god

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Music

fields we found – landscape 05

landscape 05 is the latest entry from Alex Gold’s fields we found moniker, released via his own quiet details label. Created through a deeply meditative and intuitive process, the piece is built from modular drones and repeating patterns recorded to multiple tape machines before being captured in a single live take, with analogue oscillators, magnetic tape and freely tuned textures drift gradually through the recording, As with every release in the landscape series, landscape 05 is available as a name-your-price download over at the quiet details’ Bandcamp page.

https://fieldswefound.bandcamp.com/album/landscape-05

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Music

Tara Clerkin Trio – Silently

Tara Clerkin Trio’s Somewhere Good is the Bristol group’s first full-length album, following EPs In Spring and On The Turning Ground. Across eight tracks, the trio continue to blur the lines between folk, jazz, ambient, dub, trip-hop and experimental pop. They draw from a broad palette of influences, but their hazy melodies, fragmented rhythms and subtle improvisation come together with remarkable ease, with Silently a clear album standout.

https://taraclerkintrio.bandcamp.com/album/somewhere-good

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Music

Olivia Rodrigo – begged

Never let it be said that I only post niche music from artists you’ve never heard of. Perhaps it’s because I recently shelled out a ludicrous amount of money for a couple of tickets to see her next year, but this is making me very emotional.

https://shopuk.oliviarodrigo.com

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Music

Ginte Preisaite – Loop The Pause

Lithuanian artist and graduate of Copenhagen’s Rhythmic Music Conservatory Gintė Preisaitė recently released her first solo LP under her own name, following a collaborative effort with Toshimaru Nakamura in 2025 and a number of cassettes as “Baraboro”. Instruments of Forgetting and the Singing Bone explores fantasy, absurdity and relationships as a cast of players contribute string, brass, accordion, and guitar parts to her sparse, decayed, genre-hopping sound.

https://gintepreisaite.bandcamp.com/album/instruments-of-forgetting-and-the-singing-bone