This came out all the way back in January, so not exactly hot off the presses by any means, but then you’re not following this blog for its comprehensiveness, are you? It’s pretty ridiculous I missed not only this, but an entire album since, given how much I liked Shawn Rudiman’s previous album Conduit, but anyway: this is brilliant, sinewy modular techno, pulsing with barely restrained aggression and I absolutely love it.
Honestly, Skee Mask is just outrageously good. I’m only three tracks into his latest album Pool which kinda came out of nowhere last week, and I’m already convinced it will be in my top 10 of the year. Very few other producers can touch him in terms of rhythm, creativity and his ability to create unique, engaging and highly emotional musical landscapes. LFO is one of his gentler efforts, beatless and almost devoid of percussion, with the ebb and flow of synth lines driving it forward.
Ilian Tape really is a remarkably consistent label: I don’t think I’ve heard a single thing on there I haven’t really enjoyed. This is taken from Galaxian alias Kas’s new album Like Sunlight Threads – the first LP on the label since the Zenker Brother’s brilliant Cosmic Transmission from last year – which veers wildly between fairly accessible, melodic breaks and terrifying, panic-inducing techno. In The Absence Of Becoming sits very much in the former category, and is unlikely to make my wife ask “What the fuck are you listening to?” with quite the same venom as some of the other tracks on here.
I first heard this on a live set Versalife (aka Conforce) posted a little over a year ago (it’s great – you should listen to it!), and have been thinking about it daily ever since. He really does do this kind of emotional, hypnotic, breaks-driven techno better than pretty much everyone else. Especially Bicep. Ouch! Bet they’re smarting from that one. This is one of the tracks on his new Present Shock EP, which includes three more of a similar ilk. One day clubbing shall return, and I hope this gets played fucking loud every single day when they do.
The Tweet that brought the new Overmono single to my attention came from grime producer Mr.Mitch and simply said “Think I would cry if I heard this in a club”. This, in a nutshell, is what every single person currently bereft at the lack of nightlife options in the UK is feeling. The specific tracks will differ from person to person, but everyone has at least one tune that if they heard loud, surrounded by other people, would reduce them to tears. It’s something that headphones and watching screens can’t even begin to replicate, and I only hope there are enough producers still making absolute bangers like this left when we’re allowed to party once again.
I’m pretty late to the party on this one as it came out back in June, but I just read a glowing review on Resident Advisor and I’m not obsessed. Fighting The Flow from his album Conduit is absolutely flawless, driving, relentless techno of the very highest order, with just enough fragments of melody to keep things interesting without detecting from its repetitive power. Honestly, play this loud and tell me you don’t want to take your top off, neck a pinger and charge off down the front.
After the dissolution of his drum & bass group Commix, Guy Brewer relocated to Berlin, started to experiment with techno and established his, at first anonymous, Shifted alias. His productions as Shifted have always leaned more towards the dark than the light, but the intensity has really been ramped up over the last couple of releases, ultimately culminating in Hard Matter, which is, by anyone’s standards, an absolute panic-inducing nightmare of a track. But in a good way.
Like many artists who have unexpectedly had their touring calendars erased by coronavirus, Daniel Avery has been keeping himself busy in the studio, and last week surprise released an entire album of new material, the 14 track Love + Light. “This record has been a real positive force of energy in my life, to the point where it almost formed itself in front of me,” Avery says of the LP. “In that same spirit, I wanted to share it with you now, as soon as it was finished.” Love + Light ranges from full on party techno bangers to hazy, washed out electronic ballads, with the wonderful Fuzzwar occupying a space very much towards the latter end of that spectrum.
Allsides is a joint project of Polish artists Z ^ L ^ X, Gap The Boy and Jakub Dudek, who also appears as a featured artist. I’m In Love… is wonderfully glitchy electronica with some lovely melodies floating behind the crushed drums and percussion, and a bleepy lead synth that holds everything together. It’s the lead track from their new LP Toy Division, which is varied, at times challenging, and definitely worth a listen.
It’s a little unfair to post just a single track from DJ Python’s impeccable album Mas Amable, as it really needs to be listened to in its entirety to do it justice. Mas Amable plays out at a single tempo with seamless (and lengthy) transitions between the individual tracks, employing broken rhythms and hushed tones to create an atmosphere that’s both hypnotic and otherworldly. It’s really special, and reminds me of that incredible Voices From The Lake album from a few years back. ADSMSDP is an 11-minute epic that probably best represents the album as a whole, but I’d definitely recommend committing to the entire thing.