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Features Interviews

One Track Mind: Charbel Haber

The Lebanese artist on the haunting quality of a Fennesz classic

The premise of One Track Mind is pretty simple: I ask artists to pick one track that means a lot to them – either something they’ve discovered recently, something that’s been with them for years, or one that reminds them of a specific time in their life or career – and tell me what makes it so special to them. I get to talk to the artists I love, and they get to talk about the artists they love. Love all round!

Lebanese musician, performer, visual artist and composer Charbel Haber has spent more than two decades at the forefront of Beirut’s experimental music community. Whether composing for multidisciplinary projects or developing his own solo material, Haber has built a reputation for creating immersive, emotionally resonant works.

His latest album, May a soft sun bless your sky while you wait for the inevitable, was written following his move from Beirut to Paris and reflects on themes of distance, exile, mortality and the search for tenderness amid uncertainty. Recorded in Paris and completed through collaborations spanning Beirut and Montreal, the album unfolds through slowly evolving compositions built from layered guitars, loops and electronic textures.

For his One Track Mind, Haber has chosen a haunting track from Fennesz’s 2004 album Venice.

Charbel Haber on Fennesz – Transit feat. David Sylvian

The track I pick would be Transit from Christian Fennesz’ record Venice, with David Sylvian singing. That track haunts me since I discovered it more than 20 years ago. It’s a traveller’s song.

The loneliness of Europe’s airports when I’m on tour, the acceptance of the idea that we die alone and the cigarette that is kept for last. The melancholy reflected by sylvian’s voice and fennesz’s glitches, the last human talking to the last machine, in conversation about the end of mankind caused by alienation and digital isolation. The fall of empires but not in a blaze, just out of boredom and detachment from each other. It reminds me a lot of Paul Auster’s novel In The Country of Last Things.

This track is best when walking in the quiet Venetian streets, away from the tourists, feeling like the last of your kind, on your last stroll through the ruins of civilization.

Chabel Haber – May a soft sun bless your sky while you wait for the inevitable is out now

https://charbelhaber.bandcamp.com/album/may-a-soft-sun-bless-your-sky-while-you-wait-for-the-inevitable

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Music

Olof Dreijer – Cassia

There’s something about the way that Olof Dreijer bends his synth patterns that makes his music entirely original. Across his various aliases – mostly famously, The Knife, and closest to my own heart, Oni Ayhun – the squirmy, alien sounds he wrings from various bits of hard and software could only have been created by him. Taken from his debut solo album Loud Bloom (ambitious, varied, long-awaited, arguably overly-long), Cassia is Dreijer in peak form; perhaps one of the greatest tracks he’s ever produced. And yes, I know it came out two years ago, but I’d not heard it until last week, so maybe you haven’t either.

https://olofdreijer.bandcamp.com/album/loud-bloom

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Music

The Field – In Our Dreams

It’s been 8 long years since The Field last released solo music, and it is wonderful to have him back. The master of long-form, melodic, looping electronic music seems to exist in a soft-focus parallel universe where time stretches and contorts in unnatural, but always soothing, ways. His new album Now You Exist for Studio Barnhus comprises five new compositions; all luxurious, dreamy, flawless.

https://thefield.bandcamp.com/album/now-you-exist

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Music

1-800 GIRLS – grow

I think this blog definitely leans a bit moody and self-serious at times. 1-800 GIRLS’s debut album LOVE is neither of those things. It is good though, at least, 50% of it is. I really don’t like the first half… but the second half is great! Riddle me that.

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Music

Loraine James, Miho Hatori – Flatline

Created during a period of internal struggle and shifting self-perception, Loraine James’ new album Detached From The Rest Of You explores a more direct and vocal-led approach. The experience of producing 2025’s Clandestine EP with singer Anysia Kym opened up a more pop-focused framework, helping her shape her ideas into tighter song structures without losing the fragility and experimentation that defines her work, while also opening her up to collaboration more than ever before, with guests on the LP including Sydney Spann, Low’s Alan Sparrowhawk and Miho Hatori on the standout Flatline.

https://lorainejames.bandcamp.com/album/detached-from-the-rest-of-you

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Music

Teatre – Returning

It’s a sunny Friday, and after possibly the most intensely stressful ticket buying experience of my life yesterday (for which I hold more contempt for Ticketmaster than is healthy), I needed something soothing to guide me into the weekend. Described as “A poetic, dream-like story born from a period of creative stillness”, Lithuanian ambientist Teatre’s new album All Constellations Weaving Into One fits the bill perfectly.

https://amuletoftears.bandcamp.com/album/all-constellations-weaving-into-one

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Music

Nalan – Everything was Easy in 2009

Berlin-based artist Nalan returns with 2009, her first album since 2022’s I’m Good. Out last month on Mansions and Millions, 2009 was written and recorded between Berlin and Istanbul and leans heavily into the reflective power of nostalgia, reshaping the late-2000s into something both sentimental and slightly distorted though a compelling indie-pop lens.

https://nalan.bandcamp.com/album/2009

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Music

Ana Roxanne – Untitled II

😢

https://anaroxanne.bandcamp.com/

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Music

White Flowers – Spinning

White Flowers, the long-running collaboration between Joey Cobb and Katie Drew, exists within what they call “the realm”, described as “a shared creative space, wherein time, rather than being a restrictive force, is fluid and boundless, and music exists as an endless conversation with their past and present selves”. Now, that’s all a little too pretentious for me, but: breathy vocals, Cure-esque, shoegazey guitars and gently winding synth lines? Sign me up.

https://whiteflowersssss.bandcamp.com/album/dreams-for-somebody-else

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Music

Gia Margaret – Phone Screen

Gia Margaret is back, but perhaps most importantly, so is her voice. Her new album Singing marks her return to vocals after a long break caused by a vocal injury. During that time, she shifted toward instrumental and ambient music, developing a more detailed and restrained approach to composition. Now recovered, this is her first vocal record since There’s Always Glimmer in 2019, and features contributions from David Bazan, Amy Millan, Kurt Vile and others.

https://giamargaret.bandcamp.com/album/singing