The Predatory Wasp
“Late one evening, I was listening to the radio alone at home. I couldn’t find the station I wanted, so I shifted the dial around for a while. Between frequencies, fading in and out of fidelity, I found a station I’d never heard before. To my amazement, the station was broadcasting my own memories. Memories from when I was seventeen. Some of the most formative and important moments of my life, alive on the air.”
Originally released as a mixtape 5 years ago, there’s now a florescent pink vinyl edition to celebrate the first Romance release on Ecstatic, You Must Remember This. Fusing ambient texture with the emotive sweep of Hollywood’s golden-age symphonic soundtracks, this new version includes separated tracks, a full remaster of the original release, and two previously unheard bonus cuts from the archive.
https://youmustrememberthis.bandcamp.com/album/you-must-remember-this-expanded-edition
A Warm Static Sphere sees TPW favourite 36 in ultra-deep mode – vast and immersive synths mesh with opaque waves of noise which give way to more delicate moments and open up to reveal fragments and minutiae buried in the depths. The press notes describe the album as “truly horizontal music”, and while I’m not entirely sure what that means, it definitely makes me want to lie down. In a good way.
https://quietdetails.bandcamp.com/album/a-warm-static-sphere
The title of Corrina Repp’s new LP, ACTIVITY DREAM: Instrumentals on the guitar Vol. 1, tells you everything you need to know. It’s beautiful, fragile music, ripe with wonder and yearning. There’s also a 36 page photo book that accompanies the release, described by Repp as full of “perfect accidents I feel lucky enough to witness.”
https://corrinarepp.bandcamp.com/album/activity-dream-instrumentals-on-the-guitar-vol-1
Unfolding is Jessica Moss’s most meditative and plaintive solo album, and perhaps the first in the Montréal violinist/composer’s decade-spanning discography that could properly be called ambient.
The album came together over a period of a year, inspired by the genocide in Palestine, and as a direct response to “our collective witnessing, our collective grief, as a portal to collective mourning, as a searchlight through our internal weather systems, seeking one another out in the dark.” Opening the album, Washing Machine traces its origins to a phone recording of a European laundry machine, captured by Moss as she sat next to it, heartbroken on the bathroom floor, finding solace by humming a melody along to the mechanical harmonics of the washer working through its cycles.
Mike Paradinas returns to Balmat with his new album 1979, the spiritual successor to his 2023 label debut 1977. 1979 explores a synth-heavy landscape of ethereal soundscapes, ominous crevasses, and strange, psychedelic fugues, and leans more readily into ambient-adjacent moods and textures than most of Paradinas’s more lively recordings as µ-Ziq on Planet Mu.
Klein’s sleep with a cane isn’t so much a “mixtape” in the conventional sense as it is a sprawling ambient dossier. She frames it as such herself – “an epic ambient tape” – but over nearly 90 minutes, the record travels through murmurs, ruptures, and confessional loops. It’s experimental, deeply personal, intimately bound to her London roots and a strong contender for ambient album of the year.
The Spanish composer and sound artist on the fragile solemnity of a late-period Low masterpiece.
The premise of One Track Mind is pretty simple: I ask artists to pick one track that means a lot to them – either something they’ve discovered recently, something that’s been with them for years, or one that reminds them of a specific time in their life or career – and tell me what makes it so special to them. I get to talk to the artists I love, and they get to talk about the artists they love. Love all round!
Spanish composer and sound artist Arvin Dola works at the intersection of music, cinema, and performance. His background in scoring for film and theatre informs a deeply textural approach, where sound becomes a vehicle for memory, emotion, and unresolved narratives.
His new LP O GHOST is his debut album release and is inspired by absence, memory, and the weight of unresolved time. Written in the wake of personal loss, it folds grief into a subtle kind of presence. Drawing on hauntology and shaped by Dola’s work in film and performance, the record blends ambient, drone, and disintegrating motifs that never quite land or leave.
For his One Track Mind selection, Arvin has chosen to highlight a track from an incredible album which also happens to be one of my all-time favourites.
Marta Forsberg returns to Warm Winters Ltd. with her new meticulously woven album Archaeology of Intimacy. Soothing, gentle, yet uncompromising and strikingly beautiful, the album sees the Swedish-Polish composer move away from more long-form compositions into what the press notes describe as “pop”, but I definitely wouldn’t. Closing track closing Dreamers is an almost operatic piece which combines clipped and heavily auto-tuned vocals, a string section and beautiful synth melodies to impressively hypnotic effect.
https://martaforsberg.bandcamp.com/album/archaeology-of-intimacy
There are so many interesting and/or brilliant albums coming out at the moment that I find myself with very little time to actually write about them. Hopefully I’ll dig out a bit more time next week, but for now – and continuing the ambient theme of this week – he’s a deeply soothing track from Malibu’s excellent new LP Vanities which landed today.
The Predatory Wasp 