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Music

Marta Forsberg – Dreamers feat. Rupert Enticknap

Marta Forsberg returns to Warm Winters Ltd. with her new meticulously woven album Archaeology of Intimacy. Soothing, gentle, yet uncompromising and strikingly beautiful, the album sees the Swedish-Polish composer move away from more long-form compositions into what the press notes describe as “pop”, but I definitely wouldn’t. Closing track closing Dreamers is an almost operatic piece which combines clipped and heavily auto-tuned vocals, a string section and beautiful synth melodies to impressively hypnotic effect.

https://martaforsberg.bandcamp.com/album/archaeology-of-intimacy

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Night Tapes – swordsman

I’ve been getting to grips with the new Night Tapes album portals/polarities over the last few weeks, and while it hasn’t become an obsession in the way that last year’s assisted memories did, it still has its moments, one of which is the dreamily melodic swordsman. I just wish there were a few more of them.

https://nighttapesmusic.bandcamp.com/music

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Valentino Mora – IIIII1IIIIIIII1IIIIIIIII

It’s less than 2 months until the best album of 2025 will be released: Voices From The Lake’s II, the follow up to their eponymous, seminal debut. I’ve listened to this pretty much weekly in the intervening 13 (!) years, so the hype is very real. In the meantime, we have Valentino Mora’s also brilliant Biotope, released on Dozzy’s Spazio Disponibile and operating in a similarly atmospheric, hypnotic realm.

https://valentinomora.bandcamp.com/album/biotope

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Barker – The Remembering Self

Barke’s new album Stochastic Drift is absolutely brilliant, and if it’s not in my top 10 of 2025 at the end of the I will be amazed. It’s not really fair to pick out a single track as you should really just dive in in its entirety, but The Remembering Self is the one that really stopped me in my tracks: probably the most purely ambient track Barker has ever produced, and achingly beautiful.

https://sambarker.bandcamp.com/album/stochastic-drift

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Music

Sandwell District – The Silent Servant

The second LP from revered techno collective Sandwell District, End Beginnings, serves as a poignant tribute to the late Juan Mendez, known as Silent Servant, who died halfway through the album’s production. The closing track The Silent Servant is as a heartfelt requiem, weaving distant mechanical murmurs with orchestral synths, while white noise sweeps through like wind rustling barren branches.

https://boomkat.com/products/end-beginnings

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Music

Walt McClements – Sirens

I saw Walt McClements support Mary Lattimore in a tiny venue in a town most of you have never heard of last year, and it was pretty amazing hearing him create an overwhelming wall of sound from an accordion, a loop pedal and not much else. One woman fainted! But it was quite hot and she was quite old, so take from that what you will. You get a sense of the power and grandiosity of his music from Sirens, the latest single to be released from his upcoming album On a Painted Ocean, due out in April on Western Vinyl.

https://waltmcclements.bandcamp.com/album/on-a-painted-ocean

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Music

Marina Zispin – The Bells (time will tell)

Now You See Me, Now You Don’t is the brilliant debut LP from Marina Zispin, the project of Bianca Scout and Martyn Reid. Scout, a composer and vocalist, has built a reputation for blending ambient, spoken word, and contemporary classical elements, with past work including The Heart of the Anchoress and last year’s incredible Pattern Damage. This new collaboration continues her exploration of fragmented memory and shifting perceptions, but with a (mostly) more upbeat tone that much of her previous work.

https://scenicroute.bandcamp.com/album/now-you-see-me-now-you-dont

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Music

Japanese Breakfast – Mega Circuit

To celebrate the best Glastonbury lineup in years, here’s a recent track from one of the many acts I’m extremely excited to see. Mega Circuit presents a darker, guitar-driven sound, reflecting on contemporary masculinity and the search for identity in challenging times. The track features renowned drummer Jim Keltner, known for his work with artists like Jackson Browne and Dolly Parton. ​The accompanying music video, co-directed by Zauner and collaborator Adam Kolodny, complements the song’s introspective themes. Which, yes, isn’t exactly three pingers deep in a field vibes, but is still excellent.

https://michellezauner.bandcamp.com/album/for-melancholy-brunettes-sad-women

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serpentwithfeet – BEG QUIETLY

serpentwithfeet spends a lot of time in bed, and would like to tell you about it. His new GRIP SEQUEL release features six new compositions alongside alternative versions of three tracks from last year’s GRIP: a new version of ‘Lucky Me’ with strings, and remixes of ‘Spades’, featuring Ogi and Destin Conrad, and a ‘Damn Gloves’ remix by Baile Funk featuring Ty Dolla $ign, TH41 & Azzy. “I created GRIP SEQUEL because I had more to say [about sex]*” says serpent “I had more [sexy]* questions about intimacy [and sex]* and this was a fun [and sexy]* way to explore.

*my [sexy] additions

https://serpentwithfeet.bandcamp.com/album/grip-sequel

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Demdike Stare, Kriston Pilon- Belly Up

I have fond, if slightly intense, memories of Demdike Stare’s Before My Eyes nights they used to put on in a tiny London basement, especially one where my friend took too much K and ran, pretty much crying, from the room. Their new album sees them in their usual chaos mode, as they destroy and piece back together piano and vocal recordings by US filmmaker-musician Kristen Pilon, with unsurprisingly unsettling results. For fans of The Caretaker, crunchy drums and feeling generally a little bit tense.

https://boomkat.com/products/to-cut-and-shoot