The Predatory Wasp
It’s taken me three months to listen to POLIÇA’s new album Dreams Go, but I’m glad I eventually got round to it because I completely love this song. Dreamy and somewhat morose with a fair few subtle electronic flourishes, it’s the kind of indie pop I can’t get enough of.
As Halloween approaches, I’d like to recommend this terrifying album from Prurient, Noise For Halloween Night. Lock the doors, turn the lights off, listen loud and have a panic attack. Happy Friday! 🖤
https://prurient.bandcamp.com/album/noise-for-halloween-night
Big love to Kandi Phil for alerting me to this one, without whose sage advice I may well not have bothered paying attention. I often dismiss efdemin as merely providing the original ingredients for the greatest remix of all time, but of course there’s more to him than that. This entire album is great, but the first two tracks – especially Poly – are really quite special.
After their first outing on Future Retro London, Tim Reaper, Mantra & Decibella return with Sage EP for FABRICLIVE. Across four tracks they balance toughness and detail. Stand-out Sage Sage drifts between dreamlike textures and hammering drums, deftly flipping between amens and four-to-the-floor.
Klein’s sleep with a cane isn’t so much a “mixtape” in the conventional sense as it is a sprawling ambient dossier. She frames it as such herself – “an epic ambient tape” – but over nearly 90 minutes, the record travels through murmurs, ruptures, and confessional loops. It’s experimental, deeply personal, intimately bound to her London roots and a strong contender for ambient album of the year.
Recorded at 5dB Studios in London, anaiis’s new albbum Devotion & The Black Divine explores uncertainty, acceptance, and the experience of new motherhood. The album reflects anaiis’s growing sense of grace and creative freedom, capturing human emotion in its raw, shifting form. I was a big fan of her last album – 2021’s This Is No Longer A Dream – and on the first few listens it seems as if Devotion will prove a worthy successor.
The Spanish composer and sound artist on the fragile solemnity of a late-period Low masterpiece.
The premise of One Track Mind is pretty simple: I ask artists to pick one track that means a lot to them – either something they’ve discovered recently, something that’s been with them for years, or one that reminds them of a specific time in their life or career – and tell me what makes it so special to them. I get to talk to the artists I love, and they get to talk about the artists they love. Love all round!
Spanish composer and sound artist Arvin Dola works at the intersection of music, cinema, and performance. His background in scoring for film and theatre informs a deeply textural approach, where sound becomes a vehicle for memory, emotion, and unresolved narratives.
His new LP O GHOST is his debut album release and is inspired by absence, memory, and the weight of unresolved time. Written in the wake of personal loss, it folds grief into a subtle kind of presence. Drawing on hauntology and shaped by Dola’s work in film and performance, the record blends ambient, drone, and disintegrating motifs that never quite land or leave.
For his One Track Mind selection, Arvin has chosen to highlight a track from an incredible album which also happens to be one of my all-time favourites.
Marta Forsberg returns to Warm Winters Ltd. with her new meticulously woven album Archaeology of Intimacy. Soothing, gentle, yet uncompromising and strikingly beautiful, the album sees the Swedish-Polish composer move away from more long-form compositions into what the press notes describe as “pop”, but I definitely wouldn’t. Closing track closing Dreamers is an almost operatic piece which combines clipped and heavily auto-tuned vocals, a string section and beautiful synth melodies to impressively hypnotic effect.
https://martaforsberg.bandcamp.com/album/archaeology-of-intimacy
I’ve been getting to grips with the new Night Tapes album portals/polarities over the last few weeks, and while it hasn’t become an obsession in the way that last year’s assisted memories did, it still has its moments, one of which is the dreamily melodic swordsman. I just wish there were a few more of them.
It’s less than 2 months until the best album of 2025 will be released: Voices From The Lake’s II, the follow up to their eponymous, seminal debut. I’ve listened to this pretty much weekly in the intervening 13 (!) years, so the hype is very real. In the meantime, we have Valentino Mora’s also brilliant Biotope, released on Dozzy’s Spazio Disponibile and operating in a similarly atmospheric, hypnotic realm.
The Predatory Wasp 