The Predatory Wasp
Swedish producer Martinou is the latest addition to my very short list of electronic artists making properly emotional stuff; melancholy, reflective, heartbreaking. Basically the kind of stuff I want to be able to make myself. This is taken from his excellent new EP The Glow That Lingers for Fauxpax Musik, and if you like what you hear I’d recommend going back to his 2021 album Rift for more of the same.
https://fauxpasmusik.bandcamp.com/album/the-glow-that-lingers
Astrid Sonne’s remix of Mount Kimbie’s The Trail sounds absolutely nothing like the original, and is all the better for it: chopped, stuttering and deeply atmospheric, her own ghostly vocals providing significant chills.
I have fond, if slightly intense, memories of Demdike Stare’s Before My Eyes nights they used to put on in a tiny London basement, especially one where my friend took too much K and ran, pretty much crying, from the room. Their new album sees them in their usual chaos mode, as they destroy and piece back together piano and vocal recordings by US filmmaker-musician Kristen Pilon, with unsurprisingly unsettling results. For fans of The Caretaker, crunchy drums and feeling generally a little bit tense.
Celebrating the re-release of one of the influential drum & bass singles of all time and the album from which it came, Adam F’s 1997 debut Colours. To record new versions of the tracks Adam F dug out all his old hardware which had long been hidden away. Over a span of two years he reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from contemporary artist added fresh life to the tracks. Circles still sounds as good as is always has – a true classic.
Tim Hecker saves the best until last on his new album Shards with this extraordinary, amorphous ambient/electronic closing track. Released last week on krany, Shards is a collection of pieces originally written for various film and TV soundtracks Hecker has scored over the last half decade, with compositions originally written for scoring projects including Infinity Pool, The North Water, Luzifer, and La Tour.
Lots of good music out today but this is the bleakest aka the best. Taken from the new album antichamber which sees him stepping away from the full-band setup, focusing instead on stripped-back electronics and acoustic textures. Ideal listening for the bleak midwinter.
In 2018 Sam Barker released his Debiasing EP and pretty much changed the techno game. He wasn’t the first to do away with kick drums, but with Look How Hard I’ve Tried especially he demonstrated just how powerful restraint could be. His recently announced second album Stochastic Drift now sees Barker creating tracks with a fresh deftness and by “letting go of expectations”, and the first single Reframing is fucking magnificent, although if I was being super critical I reckon it could be at least twice as long. Roll on April.
I can’t quite get over how great this is; without doubt one of his best songs to date. Completely ridiculous. For the full experience listen to the segue from the previous album track. Just astonishingly good.
Maribou State’s upcoming album Hallucinating Love – out this Friday – represents a journey through adversity and renewal. Since their rise with Portraits and Kingdom in Colour, Chris Davids and Liam Ivory faced personal and creative struggles while navigating the fallout of relentless touring and the global lockdown. Health challenges—including Chris’s ADHD diagnosis, chronic headaches, and surgery for a rare brain condition, as well as Liam’s severe anxiety—forced the duo to scrap their first attempt at the album and rethink their approach. From what I’ve heard of it so far, it’s going to be worth the wait.
For reasons too long to go into I have a massive emotional connection to Maribou State’s music, and Holly Walker’s voice especially makes me cry pretty much every time I hear it. So yes, I’m very much looking forward to this one.
Stroom favorites Voice Actor team up with Squu for their second album, Lust (1), blending ambient dance, electro-dub, and trip-hop into 14 hypnotic tracks. Following previous LPs Fake Sleep and the mammoth Sent From My Telephone which spanned a frankly ridiculous 3+ hours, this release feels somehow sharper yet simultaneously dreamy, with soft textures, shimmering vocals, and hazy lyrics that float effortlessly, with the ambient dancehall vibe of dYn an early highlight.
The Predatory Wasp 