The Predatory Wasp
K-Lone’s new LP sorry i thought you were someone else – his debut release on Incienso – was produced after his father’s passing and became a place for the Brighton-based artist to escape and reflect. And while the majority of the album isn’t necessarily something I’ll be going back to, the opening track someone else is inarguably lovely.
https://k-lone.bandcamp.com/album/sorry-i-thought-you-were-someone-else
I’m currently spending way too obsessing about my end of year list, which doesn’t leave much room for new music. I did dutifully dive into Oneohtrix Point Never’s new album Tranquilizer though and yes – it’s quite good! Ben Cardew’s article for Line Noise did a great job of summing up my own ambivalent feelings towards much of his discography (TLDR: I think it’s impressive, I just don’t feel it) but Cherry Blue definitely stood out amongst all the glitchiness.
I love The Field, to the point that I attempted to create a remix by entirely ripping off his sound. I would link to it, but it seems to be entirely expunged from the internet; probably for the best. His output over the last decade has been extremely limited, so I was delighted to this this sun-bleached, beautifully atmospheric remix of Sachika Nayar & Nina Keith’s Disiniblud project pop up, reminding me of why I fell for his mesmerising loops all those years ago.
Viktoras Urbaitis aka Teatre crafts electronic music of cinematic quality, evoking images of desolate night streets and the dark, flowing waters of Eastern European rivers. His new Overtime EP is the debut release for Berlin’s Dangė Records – which specialises in championing electronic music from Lithuania and the Baltics – and is a testament to the hours spent in the fluorescent-lit purgatory of office spaces, navigating corporate networks and the sterile interactions of online support, all while under the literary spell of Jurga Ivanauskaite’s diaries.
A Warm Static Sphere sees TPW favourite 36 in ultra-deep mode – vast and immersive synths mesh with opaque waves of noise which give way to more delicate moments and open up to reveal fragments and minutiae buried in the depths. The press notes describe the album as “truly horizontal music”, and while I’m not entirely sure what that means, it definitely makes me want to lie down. In a good way.
https://quietdetails.bandcamp.com/album/a-warm-static-sphere
Mike Paradinas returns to Balmat with his new album 1979, the spiritual successor to his 2023 label debut 1977. 1979 explores a synth-heavy landscape of ethereal soundscapes, ominous crevasses, and strange, psychedelic fugues, and leans more readily into ambient-adjacent moods and textures than most of Paradinas’s more lively recordings as µ-Ziq on Planet Mu.
Shawn Reynaldo’s First Floor Substack continues to be a reliably rich source for electronic music reccomendations, and the latest edition highlighted an artist with whom he’s long been obsessed, J. Albert. Converge is taken from his album Return To Sender which sees the NYC-based artist flit between relatively down-the-line dub techno and more amorphous, experimental structures, into which latter category Converge neatly fits.
It’s taken me three months to listen to POLIÇA’s new album Dreams Go, but I’m glad I eventually got round to it because I completely love this song. Dreamy and somewhat morose with a fair few subtle electronic flourishes, it’s the kind of indie pop I can’t get enough of.
Big love to Kandi Phil for alerting me to this one, without whose sage advice I may well not have bothered paying attention. I often dismiss efdemin as merely providing the original ingredients for the greatest remix of all time, but of course there’s more to him than that. This entire album is great, but the first two tracks – especially Poly – are really quite special.
After their first outing on Future Retro London, Tim Reaper, Mantra & Decibella return with Sage EP for FABRICLIVE. Across four tracks they balance toughness and detail. Stand-out Sage Sage drifts between dreamlike textures and hammering drums, deftly flipping between amens and four-to-the-floor.
The Predatory Wasp 