The Predatory Wasp
John Glacier has already released one of the best EPs of the year, and has now announced a second, Duppy Gun, alongside its lead single Steady As I Am. Lo-fi, hazy beats and Glacier’s icy delivery abound, and while it’s perhaps not quite as startlingly brilliant as the tracks on Like A Ribbon, it’s still very good. Looking forward to the EP which lands 20 June.
This came out last year, but I’m highlighting it now as a) I’ve only just listened to it and it’s brilliant and b) he’s playing in my hometown next week, and is the first musical act I’ve been genuinely excited about here for ages. Significant serpentwithfeet vibes. And he’s playing in a library! Madness. More of this kind of mournful electronic-indie R&B, please.
Laryssa Kim’s new album Contezza is described in the press materials as “a crossroad where Brian Eno, Enya, and Erykah Badu all meet”, and somewhat surprisingly that’s not all bullshit hyperbole. Singing in French, English and Italian over lush electronic backdrops, Kim creates a deeply engaging atmosphere that moves from romantic to alienating and back again, often in the space of a single track.
Ever wondered what a cross between Joji, Omar Apollo and Paul Simon would sound like? If yes; you, my friend, are in luck!
Eriks de Casier announces her forthcoming album Still with new single Lucky, which treads a familiar but nevertheless enjoyable path: warm chords, stripped-back, evocative breaks and plaintive, romantic vocals. The most interesting part of the announcement though is the list of collaborators Casier produces on the album, namely They Hate Change, Shygirl and Blood Orange. Still is out 21 February, so I don’t even need to spend too much time imagining what that will sound like.
Yesterday marked the 10 year anniversary (!!!) of the release of FKA Twigs’ staggeringly brilliant EP2. Produced by Arca, it went on to ‘inspire’ an entire wave of artists attempting to replicate its stripped-back yet immensely rich and impactful sound. Very few matched its creativity and sheer take-your-breath-away originality, and none surpassed it, arguably even Twigs herself (although many would disagree with me on that last point). A decade later it still represent a high point, both musically and culturally, and perhaps most importantly, open my own eyes and ears to a world to which I was previously completely ignorant.
If you’d like to know the specific meaning behind Tinashe’s recent low-key r&b banger Talk To Me Nice, Genius has a video just for you. If, like me, you’re just here for the breezy vibes, she has you covered. Also: is that a Roni Size sample at the start?? I’m calling it. Taken from her new EP BB/ANG3L which landed last week.
The Canadian duo’s Steve Lind on the inspirational merits of an r&b icon
The premise of One Track Mind is pretty simple: I ask artists to pick one track that means a lot to them – either something they’ve discovered recently, something that’s been with them for years, or one that reminds them of a specific time in their life or career – and tell me what makes it so special to them. I get to talk to the artists I love, and they get to talk about the artists they love. Love all round!
For more than a decade, Freak Heat Waves have been steadily amassing a cult following and earning acclaim from both critics and underground aficionados alike. Their music is a heady cocktail that defies easy categorization, blending elements of post-punk, psych, dub, ambient, house, and techno. Their eclectic sound has served as the soundtrack to countless DIY punk shows, outsider galleries and sleazy discos, establishing the duo as iconoclasts with a reputation for ignoring expectations and subverting genre conventions.
Their latest album Mondo Tempo exists in a hazy space between all these genres. Lead by Lind’s purringly nonchalant vocals, all the tracks on Mondo Tempo are various shades of “extremely chill”. From the barely-there, Nightmares on Wax-evoking Altered States to the spacious, breezy melodies of Cindy collab In a Moment Divine it’s one to be savoured, preferably while poolside somewhere exotic.
For their One Track Mind selection, Freak Heat Waves Steve Lind has dived back into the movie vaults to the soundtrack of a nearly 80 year old noir classic.
Madison McFerrin has previously been lauded by a range of the music media Big Dogs, including The New York Times, NPR, The FADER, and Pitchfork, who named her a Rising Artist in 2018. Her debut album I Hope You Can Forgive Me landed last week, coming in at a sparse 26 minutes and including this 10/10 stripped-back r&b gem.
Malian singer Fatoumata Diawara releases her new album London Ko today, exploring Malian blues, folk and r&b and blending traditional West African sounds with contemporary production. The album includes a number of collaborations, including Damon Albarn, Roberto Fonseca, Yemi Alade, M.anifest and this gem from US soul legend Angie Stone.
https://www.normanrecords.com/records/197161-fatoumata-diawara-london-ko
The Predatory Wasp 