The US musician and filmmaker writes about the delicate balance between improvisation and composition in big dog little dog’s Panorama
The premise of One Track Mind is pretty simple: I ask artists to pick one track that means a lot to them – either something they’ve discovered recently, something that’s been with them for years, or one that reminds them of a specific time in their life or career – and tell me what makes it so special to them. I get to talk to the artists I love, and they get to talk about the artists they love. Love all round!
Today we welcome US musician and filmmaker Elori Saxl to the blog, whose album The Blue of the Distance has just been released. Combining digitally-processed recordings of wind and water with analog synthesizers and chamber orchestra, The Blue of Distance is an enchanting blend of ambient and neo-classical pieces, with the album taking its title from a phrase coined by Rebecca Solnit in A Field Guide to Getting Lost, referring to the phenomenon of faraway mountains appearing blue due to light particles getting lost over distance.
For her One Track Mind feature, Elori has written about big dog little dog’s Panorama with an eloquence and level of detail that makes me want to massively up my game. Over to her…