The Predatory Wasp
Joy Helder’s fantastic recent EP Blurt flits between creeping ambient and more energetic electronica, with Life of the Party sitting slap bang in the middle. Skeletal in the sparseness of its structure, every echoing glitch or crispy delivered hi-hat has been painstakingly crafted to deliver maximum impact, burrowing deep into your brainholes and sending satisfying shivers down your spine.
The London-based electronic artist reminisces about the melodic Italo-stylings of Skatebärd’s Why Now?
The premise of One Track Mind is pretty simple: I ask artists to pick one track that means a lot to them – either something they’ve discovered recently, something that’s been with them for years, or one that reminds them of a specific time in their life or career – and tell me what makes it so special to them. I get to talk to the artists I love, and they get to talk about the artists they love. Love all round!
“Miniature soundtracks for moments in life, created electronically in London” is about as much concrete information I can find about Joy Helder. But whatever lack of identifying detail there might be available in regards to his background is more than counterbalanced by the depth and richness of his productions. Latest EP Joy moves through both ambient and more rhythmically structured experimental electronica, with field recordings, haunting melodies and muted percussion combining to create an atmosphere that’s at times claustrophobic and foreboding, others expansive and calming.
For his One Track Mind selection, Joy has picked a track by Norwegian artist Skatebärd that soundtracked many a bus journey shortly after he arrived in London.
The Predatory Wasp 