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Actress – Hell
Tag: experimental
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Keeley Forsyth – In The Corner
It’s Friday, the sun is shining, so here’s some deeply paranoid bleakness from Keeley Forsyth’s third album The Hollow which came out today. The album’s title comes from her discovery a long-abandoned mining shaft whilst out walking, while musically it incorporates aspects of minimalist post-classical, dark ambient and film and theatre soundtracks, with occasional warped pitch-shifts of her overwhelmingly mournful vocal for additional headfuckery.
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Liv.e – Mashed Feelings
Live’s new LP (EP? mixtape?) is a pretty tough listen in places. The hecticness of the opening track almost seems designed to put you off, but you’ve settled into its crunchy, super-lofi aesthetic, there are a few moments of genuine brilliance, Mashed Feelings among them. It’s unlikely to generate quite the same hype as last year’s Girl In The Half Pearl, but it’s still definitely worth a listen.
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Man Rei – Bona Fide
Written and recorded in 2021, Doer connects the dots between Frankfurt-based Man Rei’s (aka Kristin Reiman) debut Cusp in 2020 and their more recent recordings for Glasgow’s Somewhere Press. Bona Fide is about as hauntingly beautiful as it gets; a ghostly chamber piece where Reiman’s voice provides both the lead vocal and the shifting background textures.
Blurring the lines between chamber music, contemporary dance, dark pop and ethereal ambience, Klein, Mica Levi and Space Afrika collaborator Bianca Scout distills a decade of multidisciplinary work with her new album Pattern Damage, moving between diaristic ephemera, demure post-punk and chamber ambient, and cracking open bewildering crypto-romantique wormholes in the process. And yes, this is pretty much a direct copy and paste of the release hype, but a) it’s accurate and b) it’s a bank holiday and I have better (lazier) things to be doing.
I’ve been sulking about the woeful Glastonbury line-up for the last few days, but now it’s time I got over it and got on with my life. And even though there are so few acts I’m excited about seeing that it genuinely makes me sad, there are a few glimmers of light; Arooj Aftab among them. To Remain/To Return is from Love In Exile, an album I completely missed last year, with Vijay Iyer on pianos and electronics, Shahzad Ismaily on bass and Moog synth Aftab’s soaring Urdu vocals.
In August 2022, Ariel Kalma, a renowned fourth-world (nope, me neither – but apparently it’s a thing) music artist, joined BBC Radio 3’s Late Junction for a special collaborative project, pairing with artists Jeremiah Chiu & Marta Sofia Honer. This partnership, led to the creation of twenty minutes of music through a back-and-forth exchange of ideas and contributions. After fulfilling their initial commitment, the trio felt compelled to continue their collaboration, expanding upon their initial creations, which ultimately culminated in an album The Closest Thing to Silence. The album’s title, inspired by a Kalma quote and echoing an ECM Records motto, emphasizes music’s profound connection to silence – so expect plenty of ambient, experimental meanderings, and quite a lot of space.
https://intlanthem.bandcamp.com/album/the-closest-thing-to-silence
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Naliah Hunter – Bleed
There have already been some banging albums out this year, Naliah Hunter’s Lovegaze not least among them. Depending on which publications you trust this has been labelled as ambient, experimental, folk or a combination of all these and more. If you trust this blog, I’d just say go and listen to it and make your own mind up (but it’s definitely not ambient).
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aloisius, jaso – 2ndjune1
the unfolding rose is an ever expanding album mostly made up of improvised one-take songs, recorded, mixed and mastered by aloisius alongside various collaborators. If you’re in the market for an extremely challenging 4+ hour ambient/experimental LP, this comes highly recommended. Patience definitely required, but there are some truly extraordinary moments of beauty hidden between the sketchy snatches of conversation and – at times overwhelming – dissonance. This particular track also ticks the elusive ‘zero views on YouTube’ box, which makes me feel exceedingly niche.
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Youth Lagoon – Lux Radio Theatre
Trevor Powers’ return as Youth Lagoon completed passed me by last year, the album’s inclusion on various end of year lists has prompted me to dive in. I really liked his last two albums under his own name, especially 2018’s Mulberry Violence, was a beautifully odd. Lux Radio Theatre isn’t the most exciting track on Heaven is a Junkyard, but it’s probably the prettiest.
The Predatory Wasp 