Tag: ambient

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Elori Saxl – It Will Be Gone

New York-based composer Elori Saxl’s score, Texada, is the official soundtrack for the film of the same name. Directed by Claire Sanford and Josephine Anderson, and produced by the National Film Board of Canada, the film charts life on Texada Island off British Columbia’s coast. On tracks like lead single It Will Be Gone, Saxl translates the island’s geological and human narratives into sound. Employing analog synthesisers, processed baritone saxophone (performed by Henry Solomon), and subtle field recordings, the score maps textures ranging from stone and water to the hum of industrial activity.

https://elorisaxl.bandcamp.com/album/texada-original-score

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Voice Actor, Squu – dYn

Stroom favorites Voice Actor team up with Squu for their second album, Lust (1), blending ambient dance, electro-dub, and trip-hop into 14 hypnotic tracks. Following previous LPs Fake Sleep and the mammoth Sent From My Telephone which spanned a frankly ridiculous 3+ hours, this release feels somehow sharper yet simultaneously dreamy, with soft textures, shimmering vocals, and hazy lyrics that float effortlessly, with the ambient dancehall vibe of dYn an early highlight.

https://stroomtv.bandcamp.com/album/lust-1

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William Basinski, Richard Chartier – Aurora Terminalis

Longtime friends and collaborators William Basinski and Richard Chartier return to LINE with Aurora Terminali, a 60-minute odyssey through drone and ambient that marks their first new work together since 2015’s Divertissement. Starting with a burst of bright, jagged synths it soon dissolves into something significantly calmer before leaning into darker, more paranoid tones in in second half.

https://lineimprint.bandcamp.com/album/aurora-terminalis

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Pefkin – Gossip In The Leaves

I alluded to this release last week, but it’s so good it deserves a bit more love. This is taken from the new album from Pefkin, aka Gayle Brogan, witten in autumn 2023, during a big life shift—including her move from Glasgow to Sheffield—this three-track album reflects the emotional journey of change. Using a stripped-back setup of viola (an instrument she’d never played before), synth, and voice, Gayle recorded each track in a single take. It’s deeply affecting and a late contender for ambient/drone album of the year.

https://pefkin.bandcamp.com/album/the-rescoring

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Not Waving, Romance – Love Pervade The Sinless Breast

Possibly my favourite ambient pairing, Not Waving and Romance, return with their latest LP Wings of Desire, inspired by Botticelli’s The Birth of Venus. And if that sounds catastrophically pretentious – correct! But ambient pretentiousness really does result in some of the best track names in music (honourable mention to Dylan Henner on this front). Love Pervade The Sinless Breast (!) is gorgeous, sweeping, mournful: everything you need to start your week with a bang.

https://notwavingromance.bandcamp.com/album/wings-of-desire

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Mary Lattimore, MIZU, Jamal Shakeri, Laraaji – Midnight Moon Pool (Womb of the Soul)

If you think that’s a long artist / title combo… you’re right! And it comes from a VA compilation the scope of which is genuinely staggering. With production beginning in 2021, and over 100 artists contributing, TRAИƧA is a new compilation across 8 chapters and 46 songs, spotlighting the gifts of many of the most daring, imaginative trans and non-binary artists working today. Artists include (deep breath) Mary Lattimore, Devendra Banhart, claire rousay, Ana Roxanne, Julien Baker, Grouper, Moses Sumney, Andre 3000, Gia Margaret plus, plus, plus. Ridiculous.

https://redhot.bandcamp.com/album/tra-a

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doris dana – tedio

Did you miss me? I was in Scotland for a week, and the wifi situation was untenable. Anyway I’m back now and have this deliciously mournful, Grouper-adjacent recommendation as an apology gift. The alias of Colombian-born artist Mónica Mesa, doris dana delves into the abstract aesthetics of liminal spaces and intangible experiences, and her new album Reveries is a late contender for experimental album of the year.

https://somewherepress.bandcamp.com/album/reveries

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Dylan Henner – There Was A Scattered Light Between The Leaves

College Music Presents: PhonoSynthesis is the label’s fourth VA compilation, and explores the intimate relationship between music and nature, spanning solo, acoustic sounds through to modular synthesis masterpieces, and everything in between. Includes contributions from Kaitlyn Aurelia Smith, Shopan and this beauty from Dylan Henner.

https://collegemusicrecords.bandcamp.com/

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DANIAILYAS – Breathe and Start Again

Well this is just totally lush. DANIAILYAS is a transatlantic collaboration between Barcelona’s Dania Shihab and Portland’s Ilyas Ahmed. On their debut EP, Enough For Me To Remain, Shihab’s ethereal vocals and sweeping synths are intricately intertwined with Ahmed’s fluid, unpredictable guitar work. The result is a deeply immersive, almost spectral experience, balancing tenderness with an underlying tension. What emerges is both intimate and disorienting, like a love letter written in shadow and light, offering release and rupture in equal measure.

https://daniailyas.bandcamp.com/album/enough-for-me-to-remain

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Oliver Coates – 90

The blog has gone pretty ambient-heavy this week, but the heart wants what it wants. Today’s offering is taken fromThrob, shiver, arrow of time, the new album from Oliver Coates who created the incredibly moving soundtracks for the 2022 film Aftersun (highly recommended) amongst many other things. 90 is glassy, sparse, delicate and beautiful.