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Music

Lomelda – Hannah Sun

Hannah Sun is one of three tracks on the new Lomelda album – also titled Hannah – that are named after their creator, Hannah Reid. “It felt important to call it Hannah because it attached me and my person and my responsibility to the music” she said in a recent interview. Even without this exposition, there could be little doubt that these are deeply personal. intimate songs, and Hannah Sun drifts and shimmers like the last sunbeams of the day gently breaking through a canopy of softly shifting leaves.

https://lomelda.bandcamp.com/album/hannah

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Music

KMRU – Why Are You Here

I am hungover AF today so here’s 15 minutes of ambient loveliness to help gently usher in your weekend. That’s all you’re getting. I’m going back to bed.

https://kmru.bandcamp.com

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Music

Shawn Rudiman – Fighting the Flow

I’m pretty late to the party on this one as it came out back in June, but I just read a glowing review on Resident Advisor and I’m not obsessed. Fighting The Flow from his album Conduit is absolutely flawless, driving, relentless techno of the very highest order, with just enough fragments of melody to keep things interesting without detecting from its repetitive power. Honestly, play this loud and tell me you don’t want to take your top off, neck a pinger and charge off down the front.

https://soundcloud.com/shawn-rudiman

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Music

Il Quadro di Troisi – Raggio Verde

Il Quadro di Troisi is a new project by Andrea Noce (Eva Geist) and Donato Scaramuzzi aka Donato Dozzy aka one of the greatest electronic producers of all time, and one half of Voices From The Lake, who are responsible for the best mix ever. If you’ve come here expecting stripped-back, hypnotic dub techno however, you’re in the wrong place. Il Quadro Di Troisi is inspired by the late Italian actor and director Massimo Troisi and looks to pay tribute tribute to Italian popular music over the decades, touching on Italo disco, synth pop and more, all of which are harnessed in Raggio Verde.

German label Raster will release full album 16 October digitally, and on vinyl and CD 13 November. Until then, bask in the nostalgic greatness of the Green Ray.

https://soundcloud.com/raster_artistic_platform

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Music

Angel Olsen – [New Love] Cassette

Around the release of her debut album Half Way Home, I saw Angel Olsen perform to a couple of hundred people at a modest venue in Shepherd’s Bush. She was magnetically brilliant: flirting with some random guy in the front row, asking if anyone had any tequila and ploughing through what felt like pretty much every song she’d released up to that point.

Since then, obviously, she’s become huge, and every album since has been ramped up in terms of scope, production, energy and scale. It’s not that I haven’t enjoyed lots of it, but I’ve definitely missed the stripped-down heartbreak of songs like Safe In The Womb and Lonely Universe. So her latest release, Whole New Mess, which presents the stark original versions of tracks from 2019’s All Mirrors is about as up-my-street as it’s possible to be, and [New Love] Cassette is just one of many gems in which you can hear the ghost of the song it eventually became.

https://angelolsen.com

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Music

William Basinski – O, My Daughter, O, My Sorrow

Like his best-known work, The Disintegration Loops, O, My Daughter, O, My Sorrow is about decay, memory and death, and not since the release of those groundbreaking albums has the focus been quite so stark. It’s the first single from his new LP Lamentations due for release in November, and might just be the most sorrowful piece of ambient I’ve ever heard, with fragments of strings and operatic vocals consigned to the depths of the abyss against a relentless wail of churning feedback loops. “Captured and constructed from tape loops and studies from Basinski’s archives, Lamentations is over forty years of mournful sighs meticulously crafted into songs” heralds the press release. Roll on November…

https://williambasinski.bandcamp.com/

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Music

TENDER – Own Up

Hooray! It’s a new song from TENDER: one of my favourite musical discoveries of the last few years, and a band that I have somehow still managed not to see play live. Currently have tickets to a show in November… how’s that looking lads? Lads?? Ah well, one day we shall be together. And until then, please keep delivering the goods. Namely, big, anthemic, synthy, emotional tunes like this. Cool? Coooool.

https://www.tenderofficial.com

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Music

Sneaks – Sanity

Sanity is fierce, crunchy, eerie, swaggering and a whole load of other adjectives that I can’t really be bothered to get down on paper (screen?) as I’m too busy really, really enjoying listening to it. It is electro? Punk? Post-punk-inflected electro? Who knows, and more importantly, who cares? Big up Sneaks for creating my #trackoftheweeksofar – IT’S. A. BANGER.

https://sneaks.bandcamp.com/

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Music

Cut Copy – Stop, Horizon

Cut Copy have been around for 20 years, and I think this is the first time I’ve ever listened to a record of theirs. It’s entirely possible that I glanced at their name and got them confused with Coldcut which, while not exactly a great reflection on my musical nouse, is at least honest. Anyway, turns out their pretty popular and have released a lot of shiny, towering pop over the last two decades, and that’s definitely something I’m in the market for right now.

Stop, Horizon is taken from their new album Freeze, Melt. It’s about as pretty as pop gets, with a gently layer guitar loops slowly joined by tinkling percussion, whispered vocals and eventually a steady, four-four beat that nuzzles us you through to the end: a cosy, comforting hug of a record.

http://cutcopy.net

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Music

HAAi – Head Above The Parakeets

HAAi has produced some of the most original, impactful records of recent memory, and Head Above The Parakeets is yet another incredible addition to one of the most consistently brilliant discographies in electronic music. As with much of her previous work it’s not afraid to take its time, but once it gets going its gritty, churning and propulsive, and there’s an incredible balance of raw power and subtle, beautiful melodic touches throughout: at once a banger and a tearjerker, and I absolutely love it.

https://haai.bandcamp.com