The Predatory Wasp
Shout out to Alexander Crickdog for drawing my attention to Ms Ray’s incredible Wow Is Now EP from a few years ago, which remains a dinner party staple. Signs is similarly shimmery Sade-adjacent bedroom pop and hopefully signals an imminent album announcement.
This is taken from the Thom Yorke-composed original score for Daniele Luchetti’s film Confidenza, an adaptation of the Italian drama based on Domenico Starnone’s novel of the same name. The soundtrack LP sees Yorke working again with Sam Petts-Davies as well as the London Contemporary Orchestra alongside a jazz ensemble which included Robert Stillman and fellow The Smile bandmate Tom Skinner.
I’ve been sulking about the woeful Glastonbury line-up for the last few days, but now it’s time I got over it and got on with my life. And even though there are so few acts I’m excited about seeing that it genuinely makes me sad, there are a few glimmers of light; Arooj Aftab among them. To Remain/To Return is from Love In Exile, an album I completely missed last year, with Vijay Iyer on pianos and electronics, Shahzad Ismaily on bass and Moog synth Aftab’s soaring Urdu vocals.
Landing last week, Statues II is the culmination of a double album that began with his Statues I, released in August of this year, both of which follow his incredible collaboration with Dawn Richard on Pigments; one of the best album of 2022. Leaning hard into both ambient and jazz, OST is a fuzzy, celestial, faintly ominous delight.
I’m not sure why it’s taken this long for me to get stuck in to Raw Poetic and Damu The Fudgemunk’s Away Back In LP, but I have now, and it’s great. 2022’s Laminated Skies is a masterpiece and didn’t get anywhere near the attention it deserved. Away Back In is described as “a transcendent musical fusion of hip-hop, jazz, and garage rock”, and lead single and opening track Ease Side is indicative of its loose, upbeat vibe.
A Pale Jay track randomly came up on a Spotify radio playlist I was listening to the other day and now his new album Bewilderment is one of my favourite things I’ve heard this year. A jazz vocalist and pianist, he wrote, recorded, and produced all songs on the album, except for ‘By The Lake’, which is a collaboration with labelmates Okonski. It’s so good. See? Spotify is great and in no way evil.
I’m back! Sorry for the extended silence, but Glastonbury etc. Slowly getting back into the new music swing though and just came across this glorious new album from Not Waving, The Place I’ve Been Missing, on which the Italian artist explores “grief, gratitude, and new beginnings” across a mix of ambient, electronica and jazz. Lead single Fool includes elements of all the above, and is really very lovely indeed.
https://notwavingmusic.bandcamp.com/album/the-place-ive-been-missing
I’m off to Glastonbury tomorrow (wallop!) and time is tight, but here’s a lovely, meandering slice of cosmic ambience for you, and the opening track from UK jazz keyboardist Greg Foat and Venetian downtempo electronic maestro Gigi Masin’s collaborative new album Dolphin. See you on the flipside!
Salami Rose Joe Louis is the alias of Lindsay Olsen, who released her fifth album Akousmatikous – which losely transclates to “sound where there is no identifiable source” – earlier this month. As with much of her previous work, Akousmatikousi explores various shades of soul and jazz, but through a highly stylised and at times experimental lens, and includes features from some of her favourites artists, Soccer96, Miguel Atwood-Ferguson and Juuwah among them. Always on my Mind is one of the album’s more chill moments, with a lazy, tripping rhythm a suitably supple bed for her understated vocal delivery.
https://salamirosejoelouismusic.bandcamp.com/album/akousmatikous
“Free-flowing jazz improvisation” is not generally a musical description that will get me reaching for the headphones, but there’s a melancholy quality about Alfa Mist’s new album Variations that appeals to me. Cycles itself meanders around pleasantly for less than two minutes with a bassline strongly reminiscent of Echo Beach, so maybe its the 80s nostalgia – rather than any overt jazziness – that’s got me hooked.
The Predatory Wasp 