Impressively disorientating polyrhythms from drosophila. Menaces; soothes, repeat. Taken from their new LP Slight Spells. Glitches get stitches.
drosophila – I
Impressively disorientating polyrhythms from drosophila. Menaces; soothes, repeat. Taken from their new LP Slight Spells. Glitches get stitches.
Mick Jeets packs a hell of a lot into the sub-three minute move your feet. Ravey breakbeats, footwork, garage and frantic old-school vocals all make an appearance, while the overall track still manages to be both sparse and contemplative. Impressively invigorating stuff to shake your out of your Monday coma.
“Don’t judge a book by its cover” etc, but in my experience definitely do judge an album by its cover. Or at least give it a listen. There is literally nothing about the cover of Precipitation’s new album Glass Horizon (or the artist name, or the title for that matter) that suggests I won’t completely love it. And I do! Kinda house, kinda ambient, 100% lush. Sundown in Orgi comes in like Laurent Garnier’s Last Tribute to the 21st Century – all sad pads and longing – before skipping happily off on lo-fi broken beats over a squidgy bassline. Aaaaand… melt.
“Kaitlyn Aurelia Smith is dancing in an eye-scorching tumble of neon bricks and video game aesthetics” is the opening line to the Quietus’s review of her new album Let’s Turn It Into Sound, and while it actually describes a recent music video, it could just as easily be a neat single-sentence summation of the entire LP. Hauntingly introspective one minute, exuberantly unhinged the next, it’s an intriguing listen from start to finish, with the circling synth patterns and warped vocals of Then The Wind Came a personal favourite.
Composed entirely using his voice, Canadian-based artist Andrew Bennett aka Factor Eight explores mental health and creates a platform to relay his experience with bipolar disorder, with all proceeds being donated to Canadian Mental Health Association Saskatoon. “I hope that through this project, my music might help to inspire a feeling of connection in those who struggle, and sense of compassion in those who struggle to relate.”
The latest release from the phenomenally talented Rafael Anton Irisarri, Sacred Variations, includes some new remixes of tracks from his Sacred Hatred LP, along with some previously unreleased locked-penned pieces. Limbering Slumber features layered, ghostly vocal contributions from Hannah Elizabeth Cox, and is both stunningly beautiful and utterly absorbing.
A very sad banger from Tomu DJ’s beautiful new album Half Moon Bay. That’s all I’ve got to say about this one: it’s a busy day over at TPW HQ.
The opening track on Mall Grab’s new album What I Breathe, Hand In Hand Through Wonderland is exactly the kind of broken beat, melodic, melancholy stuff I want from him, and while arguably the album doesn’t quite hit these heights again, it’s still an enjoyable listen, despite what Pitchfork’s remarkably sniffy review might say. On the other hand, I still don’t think he’s done anything that competes with the sublime gloom of 2015’s Guap. So maybe I’m not to be trusted either.
Ascending By Night is taken from the debut collaborative album from Sam Prekop (The Sea and Cake) and John McEntire (Tortoise), but given how excellent is it I think they should probably commit to at least half a dozen more. With four sprawling electronic compositions clocking in at just under an hour, Sons Of gives allows of its tracks the time to develop; to morph from one thing to another, with tonal shifts from dark to light and back again a common theme. Beautiful, patiently handled and exquisitely crafted.