Apologies for the complete lack of music recently, but it’s been a busy old week. Hopefully you’ve been finding your own way regardless. I’ve been doing some deep ambient dives over the last few days to help me coping with the rising tension, and have come across a few gems I missed from earlier in the year, my favourite of which is probably Numa Gama’s album A Spectral Turn which brilliantly blends ambient, and IDM textures with post-rave, dub techno-adjacent rhythms.
Maria W Horn’s new album Panoptikon is a suite of choral and electronic music originally produced for an installation in the disbanded Vita Duvan panopticon prison in Luleå, Sweden. According to the press materials, the circular prison structure of Vita Duvan, which enabled central monitoring, was meant to create a sense of omniscient surveillance. The panopticon made the inmates aware that they could be monitored at any time without having any way of checking if this was actually the case.
Panopitkon was originally presented as a multichannel sound and light installation where the imagined individual voices of the inmates were represented by loudspeakers placed in the various cells of the prison. Opening track Omnia citra mortem (everything until death) is a legal term that means prisoners who did not confess their crime could not be sentenced to death, but only to torture until a confession was forthcoming.
If this all sounds overwhelmingly bleak, then yes, there is undoubtedly a darkness and meaning tone to much of the music here. But it is also in parts quite overwhelmingly beautiful, and has already had a profound effect on me. Without doubt one of the most striking and accomplished albums of the year so far.
I’ve been revisiting the discography of the hugely underrated and now sadly defunct band Paper Dollhouse recently, and there are parallels to be drawn between their work and the Save The Cat’s debut LP; stripped-back guitars, mournful vocals and a lot of reverb that occasionally descends into blinding static. The whole album is incredibly sad and depressing and I really love it.
My dude 36 is back with yet another album, hopefully the first of many this year. Reality Engine is the third and final LP in 36’s synth trilogy, concluding the melodic, melancholy machine sound started with Wave Variations and continuing with Symmetry Systems. See how it glimmers! Feel better!
Avi. C Engel’s new album Too Many Souls lands 23 February digitally, with additional formats including cassette by Cruel Nature Records (UK) and on CD by Somnimage (US). Lead single Hold This Flame is a spectral delight; sparse and haunting with Engel’s ghostly vocal contrasting with the gently rising dissonance of strings and percussion.
After various collaborative projects over the past few years, Donato Dozzy finally gives us what we all want: a solo ambient techno album, tailor-made to make us weepy. “An emotional homage to family and the Adriatic Sea” (!), Magda is absolute fucking perfection and if it’s not in my top 10 albums this year, it will have been a frankly ridiculous year for music. At times evoking, possibly even surpassing his seminal Voices From The Lake project, if you don’t like Le Chaser at least, we can’t be friends.
Apparently the “sad cowboy” aesthetic is a thing, and while I categorically refuse to dive into TikTok to confirm this, I’m definitely interested in its musical manifestation. Cowboy Sadness is a project from some of my favourite musicians – The Antlers’s Peter Silberman, David Moore of Bing & Ruth, and Nicholas Principe of Port St. Willow – so even without the deliciously bait title of Selected Jambient Works Vol. 1 I was fully invested before I’d heard a note. Cue an hour of luscious pads, hushed drums and effervescent melodies evoking dusty plains and big ol’ skies as far as the eye can see.
the unfolding rose is an ever expanding album mostly made up of improvised one-take songs, recorded, mixed and mastered by aloisius alongside various collaborators. If you’re in the market for an extremely challenging 4+ hour ambient/experimental LP, this comes highly recommended. Patience definitely required, but there are some truly extraordinary moments of beauty hidden between the sketchy snatches of conversation and – at times overwhelming – dissonance. This particular track also ticks the elusive ‘zero views on YouTube’ box, which makes me feel exceedingly niche.
The Predatory Wasp 