The Predatory Wasp
I wish that people would stop releasing really great albums this late in the year, as it’s making compiling my top 50 list an increasingly tough. The latest guilty party is Djrum, whose new LP Meaning’s Edge – his first full length since 2018 is amazing, with the eight minute Crawl coming in like a cross between Aphex Twin and Shed, but with a deftness of touch that makes the frenetic rhythms glide silkily by.
Jacob Long aka Earthen Sea is an American electronic musician and producer. Formerly the bassist for post-hardcore bands Black Eyes and Mi Ami, Long transitioned to solo work, exploring ambient and dub techno landscapes. His previous album, 2022’s excellent Ghost Poems moved away from the dub techno that characterised his first two solo LPs and new release Recollections delves further into jazz and downtempo, albeit through a heavily muted, soft-focus lens.
Possibly my favourite ambient pairing, Not Waving and Romance, return with their latest LP Wings of Desire, inspired by Botticelli’s The Birth of Venus. And if that sounds catastrophically pretentious – correct! But ambient pretentiousness really does result in some of the best track names in music (honourable mention to Dylan Henner on this front). Love Pervade The Sinless Breast (!) is gorgeous, sweeping, mournful: everything you need to start your week with a bang.
If you think that’s a long artist / title combo… you’re right! And it comes from a VA compilation the scope of which is genuinely staggering. With production beginning in 2021, and over 100 artists contributing, TRAИƧA is a new compilation across 8 chapters and 46 songs, spotlighting the gifts of many of the most daring, imaginative trans and non-binary artists working today. Artists include (deep breath) Mary Lattimore, Devendra Banhart, claire rousay, Ana Roxanne, Julien Baker, Grouper, Moses Sumney, Andre 3000, Gia Margaret plus, plus, plus. Ridiculous.
Korg M1-lead romantic r&b from Australian, Canada-based Jack J who’s one half of Pender Street Steppers and member of the Mood Hut collective.
I’m feeling somewhat bleak today and this is matching my mood.
Becky and the Birds is the project of Swedish artist Thea Gustafsson. Her sound blends neo-soul, electronic, and R&B influences, drawing inspiration from artists such as Bon Iver and Frank Ocean and her new album Only music makes me cry now landed today. Opener Star hints at a slightly more abrasive, glitchier style than some of her previous releases which have leaned more into atmospheric dream pop, but her voice remains as beguiling and fragile as ever.
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Milan W.’s new album Leave Another Day feels like the culmination of 16 years weaving his way through projects like Crumar Young, Mittland Och Leo, Speedqueen, and Beach. Across 12 tracks, he distills dusky country, noir jazz, and indie-pop melancholia into a cohesive, dreamlike whole. His voice – weightless yet commanding – hovers in perfect suspension, threading through warm synth tones and intricate textures with the grace of an old soul navigating new terrain.
The latest single from my favourite new musical discovery of 2024 isn’t quite reaching the lofty heights of Assisted Memories, but the formula’s still working.
Skee Mask just released the latest album in a series that pulls together batches of previously unreleased tracks, these made between 2016 and 2022. As with its predecessors, D is more coherent and accomplished than 99% of electronic albums released this year; an impressive feat given that this is essentially a sweep of the cutting room floor.
The Predatory Wasp 