Klara Lewis – Ingrid

Ingrid starts off with nothing more than a solo, softly reverbed cello, which wanders round a little before locking into a single repeated refrain. Over the course of the next 20 minutes it’s slowly joined by various electronic textures, gradually dissolving into a cacophony of static before Lewis strips everything away again until only the stark, fragile strings remain. It’s stunning, and Lewis’s ability to wring this amount of tension and emotion from a single, simple loop is really quite breathtaking.