The Predatory Wasp
Here’s something else from last year I missed, taken from Holodec’s LP All Dogs Come From Wolves that landed in November. Just U is part garage, part post-dubstep, and all woman, baby! Boomkat described the album as “a definitive statement by a quietly gifted artist who operates inside the long shadow of late ‘90s US R&B”, and they’re way better at writing about music than me, so let’s go with that.
https://holodec.bandcamp.com/album/all-dogs-come-from-wolves
Like a lot of people, my entry point into Burial was 2007’s Untrue, which means I completely missed his remix of Blackdown’s Crackle Blues. According to Boomkat – who tend to be a pretty good authority on this kind of thing – that was a mistake, as it remains one of his tightest productions to date. Now, 15 years later, Burial and Blackdown reunite on Shock Power of Love EP which landed today on Keysound pretty much out of nowhere, which seems to be Burial’s current MO.
Space Cadet includes many of the later-era Burial staples – extended running time, triumphant, almost trancy chords – as well as plenty that have been with him his entire career (hello plaintive vocals and atmospheric crackles), but pushes the euphoric envelope further than perhaps ever before, with the warped call of “take me higher” echoed by a full on gospel choir. I guess we’ve come to expect this kind of relentless brilliance from Burial by now, but that doesn’t make it any less enjoyable.
The Predatory Wasp 