The Predatory Wasp
Mick Jeets packs a hell of a lot into the sub-three minute move your feet. Ravey breakbeats, footwork, garage and frantic old-school vocals all make an appearance, while the overall track still manages to be both sparse and contemplative. Impressively invigorating stuff to shake your out of your Monday coma.
“Don’t judge a book by its cover” etc, but in my experience definitely do judge an album by its cover. Or at least give it a listen. There is literally nothing about the cover of Precipitation’s new album Glass Horizon (or the artist name, or the title for that matter) that suggests I won’t completely love it. And I do! Kinda house, kinda ambient, 100% lush. Sundown in Orgi comes in like Laurent Garnier’s Last Tribute to the 21st Century – all sad pads and longing – before skipping happily off on lo-fi broken beats over a squidgy bassline. Aaaaand… melt.
People are really losing their shit about the new JID album The Forever Story. I’m less overwhelmingly convinced (so far), but there are definitely a few really impressive moments that elevate it above the standard rap fare, the low-tempo, lo-fi r&b-meets-soul swagger of Kody Blu 31 not least among them.
“Kaitlyn Aurelia Smith is dancing in an eye-scorching tumble of neon bricks and video game aesthetics” is the opening line to the Quietus’s review of her new album Let’s Turn It Into Sound, and while it actually describes a recent music video, it could just as easily be a neat single-sentence summation of the entire LP. Hauntingly introspective one minute, exuberantly unhinged the next, it’s an intriguing listen from start to finish, with the circling synth patterns and warped vocals of Then The Wind Came a personal favourite.
Composed entirely using his voice, Canadian-based artist Andrew Bennett aka Factor Eight explores mental health and creates a platform to relay his experience with bipolar disorder, with all proceeds being donated to Canadian Mental Health Association Saskatoon. “I hope that through this project, my music might help to inspire a feeling of connection in those who struggle, and sense of compassion in those who struggle to relate.”
There are very few things I enjoy more than discovering an artist I love for the first time; a feeling that is undoubtedly heightened when said artist is also relatively unknown. It’s pretty much the entire reason for this blog: claiming a minute fragment of credit for highlighting incredible music that would otherwise remain unappreciated. Appreciate me, please! Sickening really, but I can’t help who I am. Anyway, If – like me – you hadn’t previously heard of Steve Fors, his new album it’s nothing, but still is some of the best, wistful ambient I’ve heard this year. And I’ve listened to a lot!
https://hallowground.bandcamp.com/album/steve-fors-its-nothing-but-still
“She lay by the poolside, dipping her hands into the water as she wondered where her lover might be. It had been three days since he’d left her in the baking heat, stuck in a motel on the wrong side of town. She’d never dreamt it might have turned out like this? What with all the money, the wild nights and the excess. How had it all come crashing down around them all so horribly? Why was she the one all alone?”
The product of an audio diary kept on a 4 track cassette machine throughout 2019 and 2020, Cork-based musician Elaine Howley’s new album The Distance Between Heart and Mouth is quietly obsessed with memory and nostalgia, painting a sepia-tinted picture across nine richly atmospheric and at times disquieting tracks. Opener and lead single Silent Talk sets the scene perfectly.
https://touchsensitiverecords.bandcamp.com/album/the-distance-between-heart-and-mouth
The latest release from the phenomenally talented Rafael Anton Irisarri, Sacred Variations, includes some new remixes of tracks from his Sacred Hatred LP, along with some previously unreleased locked-penned pieces. Limbering Slumber features layered, ghostly vocal contributions from Hannah Elizabeth Cox, and is both stunningly beautiful and utterly absorbing.
A very sad banger from Tomu DJ’s beautiful new album Half Moon Bay. That’s all I’ve got to say about this one: it’s a busy day over at TPW HQ.
The Predatory Wasp 