The Predatory Wasp
The second LP from revered techno collective Sandwell District, End Beginnings, serves as a poignant tribute to the late Juan Mendez, known as Silent Servant, who died halfway through the album’s production. The closing track The Silent Servant is as a heartfelt requiem, weaving distant mechanical murmurs with orchestral synths, while white noise sweeps through like wind rustling barren branches.
Jefre Cantu-Ledesma’s latest LP Gift Songs is a sparse, meditative collection shaped by his life as a Zen priest, hospice worker, and Hudson Valley resident. Blending piano, modular synth, guitar, and acoustic textures with a small group of collaborators, the album evokes shifting landscapes and quiet inner states. Inspired by the idea of music as a “gift,” its five pieces – including the stand-out 20 minute opener The Milky Sea, unfold slowly; a distinctly human take on ambient minimalism.
I really like it when artists I haven’t thought about for years pop back up with something brilliant. I was mildly obsessed with Moomin in The Story Of You era, which terrifyingly was 15 years ago. Lots has changed for me in that time, but it’s reassuring to know he’s been making pretty much the same music; namely dusty, lofi house with plaintive piano lines and samples of waves gently rolling onto the shore. Joni is actually a bit of a outlier as he ventures into more expansive breaks, but that lead synth line really is pretty special.
Taken from the debut EP from Lotame. Three understated cuts drift through breaks, acid and slow techno — worn, emotional, quietly unresolved. Somewhere between DJ Healer and Tren: soft-edged, half-lit, and heavy with feeling.
From The Private Collection Of Saba and No ID is a collaborative album between Chicago artists Saba and producer No ID. The project blends hip-hop, soul, and experimental production across a series of tracks and features various guest appearances while leaning in to No ID’s sample-driven, textured production and Saba’s lyrical focus and vocal versatility. There’s a lot to enjoy here, but the 90 second Reciprocity with vocals from Ibeyi is a definite highlight.
Swedish producer Martinou is the latest addition to my very short list of electronic artists making properly emotional stuff; melancholy, reflective, heartbreaking. Basically the kind of stuff I want to be able to make myself. This is taken from his excellent new EP The Glow That Lingers for Fauxpax Musik, and if you like what you hear I’d recommend going back to his 2021 album Rift for more of the same.
https://fauxpasmusik.bandcamp.com/album/the-glow-that-lingers
Not new, but good. Taken from her 2024 album Someday, Now and on my radar as she’s on the Glastonbury line-up. Strong Fleetwood Mac vibes in the melodies.
Astrid Sonne’s remix of Mount Kimbie’s The Trail sounds absolutely nothing like the original, and is all the better for it: chopped, stuttering and deeply atmospheric, her own ghostly vocals providing significant chills.
Penned at his hometown of Wheaton, Maryland, soul boy Jalen Ngonda returns with Just As Long As We’re Together – a smooth, soulful nod to classic Motown, with effortless falsetto, warmth, and lush instrumentation. Channeling the spirit of Marvin Gaye and Curtis Mayfield, Ngonda delivers a heartfelt ode to love, wrapped in rich melodies and timeless charm.
https://jalenngonda.bandcamp.com/track/just-as-long-as-were-together
I saw Walt McClements support Mary Lattimore in a tiny venue in a town most of you have never heard of last year, and it was pretty amazing hearing him create an overwhelming wall of sound from an accordion, a loop pedal and not much else. One woman fainted! But it was quite hot and she was quite old, so take from that what you will. You get a sense of the power and grandiosity of his music from Sirens, the latest single to be released from his upcoming album On a Painted Ocean, due out in April on Western Vinyl.
https://waltmcclements.bandcamp.com/album/on-a-painted-ocean
The Predatory Wasp 