The Predatory Wasp

Ethel Cain – Punish

And so begins the inevitable march of posting all the music from 2025 that I missed, starting with this beautiful, devastating track from Ethel Cain’s album Perverts. It doesn’t really do justice to listen to it in isolation from the rest of the album, but it is an undoubted highlight – if a ‘highlight’ can…

Molly Nilsson – All the Way

Molly Nilsson managed to sneak out an album without me realising back in October, which is pretty astonishing given how much I like her music and how much time I spent looking for new albums from artists I like. Amateur is described as both a “jubilee for losers” and “maybe her greatest yet” and while the…

Feature: The 50 Best Albums of 2025

All ranking lists are inherently ludicrous, and taking them too seriously is a fool’s errand, but I was genuinely shocked at some of the omissions in fairly high profile lists this year. I’ll leave it to you to work out which ones I’m talking about. And on the other side of the argument, everyone losing…

Voices From The Lake – Voices From The Lake II

Voices From The Lake’s eponymous album came out way back in 2o12, and I’ve probably returned to it on a nearly weekly basis every since. Donato Dozzy and Neal’s collaborative project started as a one-off live performance in the Japanese Alps before birthing an album that, according to the press notes, “become a touchstone in…

Interview: Kelly Moran

Kelly Moran is a composer, producer and performer working at the borders of minimalist electronics and extended piano technique. Classically trained, she came up studying 20th-century composition and prepared piano, later folding synthesis, generative sequencing and computer processing into her writing. Her connection to machines deepened through time spent with the Yamaha Disklavier and Disklavier-connected…

h.pruz – Arrival

h.pruz’s new album Red sky at morning is a stripped mix of folk songwriting and small, tactile electronic details. Co-producer Felix Walworth adds Wurlitzer, soft synth lines and loose percussion that drift under the vocals rather than lead them. The tracks feel like short scenes, each clearly shaped by specific moments and memories. The sound…


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